• 观看记录
    视频
    视频 文章
    取消
    推荐搜索
    全部
    电影 倒计时

    倒计时

    影片信息
    • 片名：倒计时
    • 状态：HD
    • 主演：珍妮·艾加特/布莱恩·马歇尔/Clare/Sutcliffe/西蒙·沃德/
    • 导演：大卫·格瑞尼/
    • 年份：1969
    • 地区：英国
    • 类型：剧情/
    • 时长：内详
    • 上映：未知
    • 语言：英语
    • 更新：2023-09-01 23:59
    • 简介：The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R. [email protected]
    1969/英国/剧情 /英语/

    • 关注公众号观影不迷路

    • 扫一扫用手机访问

     立即播放  主线

    选择来源

    • 主线
    • 主线2
    • 主线3
    网友评分
    暂无评分
    0次评分
    网友评分
    暂无评分
    0次评分
    给影片打分 《倒计时》
    • 很差
    • 较差
    • 还行
    • 推荐
    • 力荐
    我也要给影片打分

    扫一扫用手机访问

    首页 电影 剧情片 倒计时

    播放列表

     当前资源来源主线 - 在线播放,无需安装播放器
     倒序
     主线  主线2  主线3

    下载列表

     倒序
     xunlei下载
    全选迅雷批量下载 没有迅雷？点击下载 > 没有安装迅雷？点击这里下载最新版迅雷 >
    下载帮助：tip提示信息

    剧情简介

    The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R. [email protected]

    为你推荐

     换一换
    • 正片
      爱在当下
      阿努潘·凯尔/阿里·法扎勒/萨拉·阿里·汗/凯·凯·门农/潘卡·特里帕蒂/阿迪亚·罗伊·卡普尔/康柯纳·森·沙尔玛/法缇玛·萨那·纱卡/拉胡尔·玻色/尼娜·古普塔/Rohan/Gurbaxani/Virendra/Saxena/Shaleen/Bhanot/罗伊特·罗伊/Bhaumik/Ahir/Himanshu/Jaykar/Rukh/Nabeel/Bharat/Thakker/
    • 更新至高清
      童年阴影
      3.0 Last/Dollar/
    • 更新至高清
      致伊莫金之歌
      6.0 献给伊莫金的歌/
    • 更新至第01集
      他的三个女儿
      娜塔莎·雷昂/伊丽莎白·奥尔森/凯莉·库恩/约翰·艾德坡/Jasmine/Bracey/Jose/Febus/Rudy/Galvan/Randy/Ramos/Jr./杰伊·桑德斯/
    • 正片
      正片
      马庄村
      3.2 马庄村2023/马庄村/
    • HD
      风雪飘摇
      王宇/伊日贵/其那日图/钢特木尔/赵思芮/熬尔/巴音/
    • HD
      终归为尘
      安吉拉·莫利纳/阿尔佛莱德·卡斯特罗/莫妮卡·阿尔米拉尔/Patrícia/Bargalló/Alván/Prado/Manuela/Biedermann/Emma/Corbacho/Pol/Garibaldi/Gris/Nicolás/Fuentes/Vito/Pietroburgo/Irene/Ta/Valeria/Scheilen/Aleix/Plademunt/Lissy/Pernthaler/Silvan/Luley/Lorena/Nogal/Shay/Partush/Oriol/Genís/M/
    • 正片
      孤夜寻凶2
      6.0 रात/अकेली/है:/भाग/२/-/बंसल/हत्याकांड/
    • 更新至高清
      被劫持的少女
      6.0 埃莉卡·杜兰斯/埃里克·希克斯/希拉纳·哈斯/塔维亚·切尔维/
    • 正片
      英雄
      4.0 李连杰/梁朝伟/张曼玉/章子怡/陈道明/
     换一换

    最新资讯

    更多
    更多

    评论

    共 0 条评论

    剧情片排行榜

    更多